This anthology picks up, the most experimental side of the band. Compared to their classical repertoire, devoted to song structure, Trinity Loren used to make distorted versions of their tracks or covers cften characterized by the use of manipulated tapes or more weird electronic sounds. This aspects are full recognizable on the rare one “Leather Leash”, dark and delirious, on the circense grotesque of “Circle of Clowns”, assemblage of manipulated voices, distorted tapes of keyboards toy.

Among the other oddities “Circus Music” includes the transfigured versions of “Tides” and “She Runs” and the covers (also in this case almost unrecognizable) of “Sixteen-Shells” (Tom Waits) and “My Wild Love” (Doors).